by Susanna Tamaro
translated from the Italian by Cinzia Sartini Blum
I
In the beginning was the void. Then the
void contracted, becoming smaller than the head of a pin. Was it by its own
will or did something force it? No one can know. What is too compressed, in the
end, explodes with furious rage. An intolerable glare came forth from the void,
dispersing into space, so that there was no longer darkness above but light.
From the light the universe gushed forth in crazed splinters of energy
projected into space and time. Racing on and on, they formed the stars and the
planets. Fire and matter. This could have been enough but it wasn’t. The
molecules of amino acids continued on, millennium after millennium,
transforming themselves until life was born: microscopic unicellular beings
that, in order to breath, needed bacteria. From there, from those primordial
pools, with a progressively ordering movement, each living form had its origin:
the large cetaceans of the depths and the butterflies, the butterflies and the
flowers that host their larvae. And man, who stands upright instead of walking
on all fours. From four to two things change. The sky is closer; the hands are
unencumbered; four movable fingers and an opposable thumb can take hold of
anything. And then freedom, dominion over space, action, movement, the
possibility of creating order and disorder. Meanwhile, the universe opens and
the stars grow ever more distant, racing to the edge like balls on a billiard
table. Was all this the work of someone or did it go forth by itself, with the
inertia of an avalanche? It is said that matter has its laws––at that
temperature, under those conditions, it could not have made anything other than
this, the universe. The universe and the miniscule galaxy containing,
suspended, the flowering garden of the earth. Some hundred species of plants
and animals would have been more than sufficient to transform our planet into
something different from the others. Instead, there are tens and tens of
thousands of different forms of life. No one person in a single life could
learn to recognize them all. Waste or wealth? If matter has its laws, who then
made the laws of matter? Who made order? Anyone? A god of light? A god of
shadow? What spirit nourishes that which, programming the life of a thing, also
programs its death? And then what importance can it have? We are in the middle,
constantly pressed between the two principles. A fleeting form of order, cells
aggregate into our body, into our face. Our face has a name. Our name a
destiny. The end of the journey is the same for everyone. Order becomes
sporadic, turning to disorder. Enzymes depart with their messages and find no
one to welcome them. Messengers of an army that no longer exists. All around is
only the deaf silence of death.
Order, disorder, life, death, light,
shadow. From the moment in which I became aware of my existence, I did nothing
but ask myself questions, questions no one could answer. Perhaps wisdom means
simply not asking yourself anything. I am not wise and never have been. My
element is not quartz but mercury. Unstable, mobile, feverish matter. The quick
silver that is forever destined to move. And always in disorder.
Such were my thoughts as I leaned
against the gate of the cemetery, waiting for my father’s corpse. It was cold,
windy. The only birds able to brave it were the crows.
The city services van arrived late,
shrouded in a black cloud of diesel fumes. “Where’s the priest?” they asked as
they unloaded it. “The priest isn’t coming,” I answered.
Everything happened quickly. The loculus
was already open. The men hoisted up the coffin and slid it inside, then ceiled
it with a white marble slab. They used a drill to fasten it shut. That and the
cawing of the crows were the only sounds.
Instead of making a speech, his three
friends –– the only ones still living –– started singing something that sounded
like the Communist International. They sang faintly, as very old people
do. The wind blew in short bursts, ripping away the notes as soon as they
sounded. I watched them and they did not watch me. They carried three red
carnations in their hands, holding them with awkward shyness like children who
don’t know to whom to give them. There was a small vase outside the loculus,
but it was too high to reach. They looked around, hesitating, then opened their
fingers and let them fall to the ground. It had rained during the night. The
mud on the ground soaked the petals. They were no longer flowers but garbage.
We left, one by one, our eyes on the
ground. In front of the cemetery gate, I gave a tip to the sextons and without
saying a word shook hands with his friends. To the south, the leaden color of
the sky was breaking into a lighter streak. Everything was over, closed.
Forever.
My father was over six feet tall and
weighed some two hundred pounds. He wore enormous shoes. As a child I would put
my feet inside them. For me they were Polynesian pirogues, not shoes, and with
the carpet beater as an oar I would make circles around the room.
He was born a few years after the Great
War. He had lived with his massive body through the majority of the century.
Along with him went his gastric juices, his cerebral neurons with their
branching dendrites, his heart with its ventricles and auricles, the
come-and-go of his arterial and venous blood, his bones and tendons, the spongy
walls of his lungs, and the smooth, slick sides of his intestines. For eighty
years that ensemble of functions that responded to the name Renzo had moved in
time and space. It had fought for some things, against others, it had screamed
and shouted, and it had consumed an unspecified number of gallons of alcohol.
It had made my mother live in terror and entertained friends at the local bar;
it had put a son into the world. And that very son, that very morning, had
buried it, with a tip for the sextons. The son was not sad but bewildered.
Maybe it’s always like that when the last parent passes on. All of a sudden
you’re alone, and in that solitude a lot changes. You’re no longer a child.
There’s no longer anyone to rebel against. The end that, in the order of
things, looms on the horizon is yours.
My mother used to say that the world was
made by God. My father maintained that God had been invented by the priests in
order to keep people in line. Up to a point, I preferred thinking of something
simpler, a conjurer for instance. One day I had seen a show in which a man had
pulled a rabbit out of hat with the wave of a wand. After that, with the same
wand, he had reassembled the fragments of a broken glass. With a wand, then,
you could do a lot. Band directors used a wand. Waving it in the air, they
transformed the confused black scribbles on paper into music that could make
you weep.
I believed in the conjurer for quite a
while. Then, from one day to the next, I stopped believing in anything. It
happened when a classmate of mine died. He was riding his bike to go and get
cigarettes for his mother. It was twilight and hard to see. A car struck him
and he was caught underneath. We weren’t especially good friends. It’s just
that the day before, he had let me use his eraser. All of a sudden his desk was
empty and the eraser was at the bottom of my satchel. There was no one to give
it back to anymore. That’s it. First there was Damiano. Then, in his place, the
void.
We had gone to the funeral in our school
smocks and ties, the oldest two boys carrying a large wreath. We passed in
front of his house on the way to the cemetery. His mother had forgotten to
bring in the laundry. His pants and shirts were still there on the line,
whipped by the wind like the flag of a vanished country. When the priest said,
“We are thinking of your little smile up there, in the pastures of the sky,” I
broke into tears. I wasn’t crying because I was moved but because I was angry.
Why were they kidding us? I asked myself. He’s no longer anywhere. The eraser
is cold in my pocket.
That day I realized that I was like one
of those fakirs in
Once out teacher had explained to us
that saprophytes were one of the foundations on which our existence rested.
They could be vegetable or animal. Their function was to decompose all that had
once had a life of its own. They broke down complex molecules into simple
molecules. The ammonia, nitrates, and carbon monoxide of our bodies helped
plants grow. Animals the plants, and we ate both the animals and the plants.
The squaring of the circle. Before the absolute void were these tiny creatures,
humble transformers.
While my father’s friends mumbled the
International, it was of them I was thinking. I watched the three old men and
wondered if they felt that anxious seething beneath their feet. They too in the
end were nothing but fodder for the saprophytes, and deep down they knew it. It
wasn’t appropriate or nice of me to think this, but I couldn’t get it out of my
head. More than twenty years had past, but here again were all my childhood
fantasies about death.
When my grandmother had passed on, my
mother had explained to me that death was a kind of sham because you never die
forever. “One day,” she had said, “the trump of judgment of will sound, and
they will be a kind of great revelry. Then everyone will come out of their tombs.”
I was troubled. I already knew about the existence of paradise, purgatory, and
hell. So I wondered how such a thing was possible. When you died, you went up
or down or you stopped for a while half way in between. It depended on whether
you’d been good or not. What did opened sarcophaguses have to do with it? There
couldn’t be anything inside anymore. I couldn’t see any reason why at some
point you would need to rush back into your tomb as if forming up for review.
Thinking about such a thing made me recall the mornings in which, though awake,
I pretended to be asleep. I liked being awakened by my mother, so as soon as I
would hear her steps, I’d close my eyes again. It was a kind of game. Maybe one
day, to please God, all the dead people were just going to pretend to be dead.
At a pre-arranged sign, from hell, paradise, and purgatory, in a great stampede
they would all rush to the place they had been buried.
But even if that were the case, there
were still practically insurmountable problems. I had seen how they had sealed
up Grandma and I knew how small she was. How would she ever be able to get that
cover off? For her even a toothpick would have been too heavy. And what about
all those poor men who’d been blown to pieces on battle fields? The bodies of
Pyrrus and Hannibal mingled with the enormous bodies of their elephants? How
was it possible that, at the blast of a trumpet, everyone would be able to find
his own parts? What if, in the rush, someone grabbed the leg of an enemy or an
elephant rotula by mistake? Then what? Would he present himself to God like
that? And what about the inhabitants of
I got home after the funeral with these
thoughts in my head and immediately looked for something to drink. There was
only a half-bottle of sweet liqueur, which my mother had used to use for cakes.
It no longer had any aroma, but there was still alcohol in it. I drank it from
the bottle. I would have liked to lie down, but it wasn’t possible. There was
just a skimpy vinyl couch.
I was sitting in the very same place, my
feet dangling above the floor, when I had asked my mother, “Does the devil
exist?” She’d been washing the dishes, and I could see her back with the apron
tied at the waist. “What’s got into you?” had come her vaguely surprised
answer. My question had been neutralized by another question. “Nothing,” I’d
said, shrugging.
A few days later, I had repeated the
same question to my father. He broke into laughter. “Of course he does,” had
been his response. “The fascists are the devil.” It became clear to me then
that none of them was able to give me an answer.
I often thought about that skeleton
holding a scythe which was painted on the walls of the church. It was mowing
hay, and hay was our life. If God was good, as they said, who had invented that
skeleton? Maybe God was not so good. Or maybe he was good but distracted. Or
maybe he’d had a bad day and on that day had created the devil. The devil and
death.
When my mother saw me pensive, she would
say, “Why don’t you go outside and play with the others?”
Now no one said anything to me anymore.
I had come back home. The house was empty, and I was grown up. The questions I
asked myself were the same as those I had asked when my feet didn’t reach the
floor from the couch.
Once, at the Sunday movies, I’d seen Moby
Dick. A fraction of a second before the white whale had burst forth from
the water, the projector had caught fire. There’d been a flash and, immediately after, in the darkness
of the hall, the white sheet had become visible again.
The scene came back to me as I thought
about my past. What had happened in all those years?
I had escaped, run far away. In that flight I had deluded myself into thinking I could make a new life. Then I’d come back. Like a good son, I had buried my father and tipped the sextons. And with that tip I’d realized that behind me there were only burned film frames. The leviathan had neither died nor disappeared. It was still there, just beneath the water’s surface. Walking through the empty rooms, I could glimpse its silhouette––ominous, grayish, silent, ready at any moment to leap out and destroy all.